Lexically-speaking, there’s nothing sexy about t*ts and a**.
Regarding written profanity, I don’t understand when writers X-out a few offending characters when they could talk around the idea with rhetorical wit. Profane words, regardless of obfuscation, still mean the same thing; and yet, for some reason, our internal censors let it go. Worse, writers miss an opportunity to impress their readers.
Personally, I’m not irked by dirty words (however salacious) but I am rather annoyed with the lack of creativity in that their scribes couldn’t find a better way to say it whilst maintaining the conservative sentimentality they clearly want to preserve.
There’s nothing inherently wrong with peppering language with profanity, but it’s often uninspired and cliché. I think to myself, “what the fuck is this shit?” (which should provide some insight into my internal monologue’s maturity level). But, that’s the point: idle thoughts are fleeting; print is forever. And, as a writer, I expect others to put a bit more care into what they print than what they’re thinking about in a given moment.
If you’re going to get dirty and gross, be dirty and gross. Use the words the dictionary affords you. And, for those with the talent, make some up. But, in general, don’t be senseless—censoring your language doesn’t soften its meaning, it just makes you look lazy and, I daresay, stupid.
As the editor-in-chief of The Onion once told me:
There’s nothing like a well-timed fuck.